OCTOBER 28th 2018 — In Paris I started a personal catalogue of rhythmic patterns to help me with my music-making. I just now strung them all together one after the other, and so far there are 6,762 bars (measures) of patterns and variations. I add to it daily.
This has been all about laying a solid foundation and has involved hours and hours of painstaking, methodical work.
I have every pattern: 1) on paper, in a notebook I bought in Paris, 2) on my iPad Pro, which is my main creative multipurpose tool, in four separate apps (if anyone is interested: Notion, DrumPerfect Pro, Patterning, and Cubasis 2), and 3) in cloud storage. So it would take quite the calamity for me to lose them.
But yes, I decided the foundation is now solid enough and now I can start really building with this resource to draw on. I have been doing that all along in tandem with this, but I mean even more actively.
Now comes melody, instrumentation, and all the really fun stuff.
OCTOBER 8th 2018 — iOS app Concepts just introduced an amazing new Nudge tool, which finally adds a function to a drawing program I have always wished for.
Being vector-based, Concepts already let you always adjust any line and element of a drawing at any point in the process, but the Nudge tool makes drawing with it completely malleable. You can push and pull everything to mold and shape it with infinite freedom.
Incidentally, part of the Concepts team is Finnish. I am not involved with them, though certainly would be proud to be.
Here is a Medium article on the new tool and here is the app’s web page.
SEPTEMBER 13th 2018 — Today I continued several long-running threads in my life:
First, learning to use more music-making apps, in this case Audio Damage’s pitch-shifting delay Discord4.
This allows for creating various effects for which I have no immediate use — but I am proceeding methodically to build a strong and wide foundation in all areas of music-making. It is good to have skills to draw upon when the need arises. This one relates for me most to the end stage of putting flourishes on otherwise pretty finished pieces.
Second, building my personal rhythmic vocabulary. In Paris last winter, I started implementing this idea when I found a notebook perfect for this purpose. Rather than horizontal or horizontal and vertical lines, its pages are marked with matrices of small crosses.
I had long been pondering this notion of starting to create a personal catalogue of rhythms, because I had come to realize that this is a key to much greater musical productivity in the future.
I derive these rhythms from melodies and harmonies of music as well as strictly percussive music and personal inspirations. And these rhythms can be used not only for percussive but also melodic and harmonic ends in creating new pieces.
As for the notebook, it didn’t hurt that its cover is themed in pink Tiki symbology. That made me smile. Tiki paraphernalia, so linked with 50s Americana of a certain kind, holds for me a quaint, carefree charm.
As for the figure mentioned in the title of this post, I learned yesterday that our little dark adventure game SERENA (for which I was one of the writers) has now been downloaded 1,684,328 times on Steam.
It is quite mind-boggling. Over 1.6 million souls all over the world have for a myriad reasons downloaded and experienced our game. We all poured our best work possible at that time into this game — I remember the exactly two months it took us to make it from conception to release as an extremely fertile, productive, inspired time — but it is safe to say this popularity has exceeded all our expectations. It seems to have struck a chord in the hearts of many.