My first art tapestry

IMG_8611
Sitting a few metres away from the tapestry, which is actually lifesized — if standing next to it, it would be in correct proportion.

24 JULY 2019 — A few days ago I got to see my artwork for the first time in my life on a really large scale. My current gym (the downtown Tampere WFC, Wolf Fitness Club) kindly allowed me to hang this tapestry on the 3rd floor of their gym to photograph it better than would have been possible in my apartment. The image is a detail from my first book, You Never Know What You’ll See in the Haunted Garden, Vol. 1.

The Mystery of the Chessboard Circus

001 cover conformed in size for Kindle final2
The wraparound cover for Vol. 2: The Mystery of the Chessboard Circus.

24 JULY 2019 — I have just published the second book in my first book series: You Never Know What You’ll See in the Haunted Garden, Vol. 2: The Mystery of the Chessboard Circus. The first in this series was a kind of prologue of visions, 72 pages. This second volume is a 152-page hybrid of comic book and picture book — a comic book in which every panel is a full two-page spread. Here is the product description from Amazon:

“The Haunted Garden is always changing. With Vol. 2 the series morphs into a deluxe hybrid of comic book and picture book as classic game actor Rex and his friends explore the mystery of the Chessboard Circus. More than twice as long as Vol. 1, it showcases the author’s unique blend of styles inspired by his love of myths, fairy tales, comics, books, games, theatre, cinema, music, and more. And as with the first volume, clues to the future already await discovery in this, our second journey into the dream world known as the Haunted Garden.”

It’s available in both paperback and ebook form. During a free promotion of the ebook, it reached #2 in Two-Hour Comic & Graphic Novel Short Reads, #6 in Science Fiction Graphic Novels, and #5 in Fantasy Graphic Novels.

These are books I create from beginning to end, from writing through drawing every single line from scratch to putting the final pages together and publishing. I use absolutely no premade elements other than the Courier font Rex speaks in and that’s used for the meta texts such as the About the Author spread.